Maria Konnikova. + Folgen. Etwas ist schiefgegangen. Wiederholen Sie die Anforderung später noch einmal. OK. Bücher von Maria Konnikova. 1 51 1. Beliebtestes Buch: Die Kunst des logischen DenkensMaria Konnikova, geboren in Russland, kam mit vier Jahren in die USA. Nach ihrem Studium der. Maria Konnikova Hamilton (geborene Maria Konnikova; russisch Мария Конникова; * in Moskau) ist eine russisch-amerikanische Schriftstellerin.
Die Kunst des logischen DenkensMaria Konnikova. Gefällt Mal · 26 Personen sprechen darüber. New York Times best-selling author of "The Confidence Game" and "Mastermind: How to. Maria Konnikova, geboren in Russland, kam mit vier Jahren in die USA. Nach ihrem Studium der Psychologie und des kreativen Schreibens an der Harvard. maria konnikova poker.
Maria Konnikova Navigation menu VideoHow a writer went from cards novice to poker champion in under two years 6/27/ · The game of life: Maria Konnikova on what she’s learned from poker Down on her luck and fearful for the future, the writer decided to chance her arm. She soon found it was the perfect gameplan. Maria Konnikova is the author of the Times best-seller “Mastermind: How to Think Like Sherlock Holmes,” which was nominated for an Agatha Award for Best Nonfiction, and “The Confidence Game. 9, Followers, Following, Posts - See Instagram photos and videos from Maria Konnikova (@grlnamedmaria).
Kurzweilig und informativ vermittelt die Psychologin Maria Konnikova, wie man wichtige von unwichtigen Details unterscheidet, die eigene Wahrnehmung schärft, Probleme kreativer lösen kann und reflektiertere Entscheidungen trifft.
Other Formats: Perfect Paperback. Una nuova avventura al fianco di Sherlock Holmes, stavolta alla scoperta del mistero per eccellenza: la mente umana.
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Retrieved 31 July The Scotsman. Archived from the original on 31 May Retrieved 1 June Retrieved 24 June Retrieved 4 September March Retrieved 18 January The New York Times.
Retrieved 13 August Archived from the original on 1 July Retrieved 1 July Mariner Books. Publishers Weekly. Archived from the original on 7 October But poker, it turns out, is a game unlike most others.
Like the world we inhabit, it consists of both. At its heart, poker is a game of incomplete information. Anyone can get lucky — or unlucky — at a single hand, a single game, a single tournament.
In the end, though, luck is a short-term friend or foe. Skill shines through over the longer time horizon.
Provided, of course, you survive long enough to get there. Life is messy. Every day consists of making the best decisions you can from information that can never be complete.
Poker is a way to conceptualize the mess, clean its parameters just enough to allow you to grapple with uncertainty with some semblance of control.
As I learned more about the game, I began to genuinely wonder if, in poker, I could finally find a way to overcome my all-too-human inability to disentangle chance from skill in the morass of daily life and instead learn to master it.
For two years I spent almost every waking moment in the game. I travelled to the edges of reason, swapping the hallways of Manhattan magazines for the gambling dens of Macau.
To the me of a year earlier, my life would look entirely unrecognisable. Who is this person spending eight months of the year on planes and in casinos?
Who is this person, poring over strange matrices of cards on her computer, talking about game theory this and expected value that, instead of nodding her head as a scientist explains the latest theory about the human mind and talking through the ideal structure of a sentence with her editors?
A book of poker strategy? I learned about the intricacies of my own psyche. I learned about the pitfalls of my decision making.
About the way I let people bully me because I was afraid of seeming anything other than nice. But what I learned above all is how to rise above the noise: how to embrace uncertainty rather than fear it, reframing the very thing that once petrified me — my utter lack of control over certain key elements of my life — into something that I could instead use as a source of power.
I remember well the conversation that was, in a way, responsible for the change. It takes me back to Las Vegas, in the early days of my poker journey, the winter of How unfair!
Surely, he would empathise. I stopped, a bit confused. The chairs slid apart. The room erupted. It was not how Maria had envisioned her first theatrical production.
She is a contributing writer for The New Yorker , where she writes a regular column with a focus on psychology and culture, and is the host of the longform storytelling podcast from Panoply, The Grift , about con artists and the lives they ruin.
T he Confidence Game was awarded the Robert P.